Onglets principaux
Born in 1993, Zoé Aubry develops a practice of critical, feminist, and experimental visual research through photography, within installations that unfold in space.
Her work aims to reveal the mechanisms of visibility, hypervisibility, and invisibility of dominant media narratives. Positioned between societal and media critique, her research-based projects, which constitute image/text databases, revolve around the problematic modes of visualization and transformation of perceptual formats.
Wounded, the counter-images she employs become activated, armed, sutured, and recomposed in a collective movement, transitioning from the singular to the universal. The photographic medium is explored for its potential to create a collective and rebellious memory, opening up new perspectives on the perception of reality.
Holder of a Bachelor’s degree in Photography from ECAL — École cantonale d’art de Lausanne and a Master’s degree in Contemporary Artistic Practices from HEAD — Haute école d’art et de design de Genève, her book #Ingrid, co-published by RVBBOOKS and Gato Negro Ediciones in 2022, was shortlisted for the Autor Book Award at the Rencontres d’Arles and won the Most Beautiful Swiss Books award.