As a result of a long-distance conversation between Matheline Marmy and Sonia Ntova, the artist and the choreographer bring their work together at Flux Laboratory during two weeks for an evolving exhibition and a performance.  

In this space, which gradually becomes a reactive laboratory, Matheline Marmy's sculptural work enters into dialogue with Sonia Ntova's performative gestures, exploring the deep tensions between the organic and the inorganic, the living and the non-living. An encounter between the autonomous and spontaneous movements of mineral bodies and those of the choreographer's physical body.